Workshop IV: Participants

 

 

 

Christoph Markschies (Berlin)

New Insights from the Research on the Catenae: On the History of an Ancient Genre

 

Markus Asper (Berlin)

Doing Commentaries, Ancient and Modern

 

Franziska Naether (Leipzig/N.Y.)

The Christian Interpolation of the Sortes Astrampsychi. Late Antique Lot Oracles in Context

 

Simon Danner (Berlin)

Bild- und Textakkumulation – der Apokalypsekommentar des Beatus von Liébana

 

Gilles Dorival (Marseille)

What does the offspring of the Catenae reveal about their genre?

 

Franz Xavier Risch (Berlin)

Beobachtungen zum quellenkundlichen Wert der Psalmenkatenen

 

Cordula Bandt (Berlin)

Kompilator oder Komponist: Ein Einblick in die Arbeit der Psalmenkatenisten

 

Barbara Villani (Berlin)

On the Catena on the Psalms by Nicetas: Composition, Sources and Background

 

Mathilde Aussedat (Paris)

Rewriting phenomena in the two types of exegetical catenae on Jeremiah: The example of the commentaries of Theodoret of Cyrus

 

Bas ter Haar Romeny (Amsterdam)

The Composition of the Catena on Genesis: The Author and His Interests

 

Cor Hoogerwerf (Amsterdam)

The Creation of Mankind and the Image of God in the Fragments of Theodore of Mopsuestia’s Commentary on Genesis

 

Emiliano Fiori (Berlin), Maya Goldberg (Amsterdam)

Between Handbook and Catena: The Unique Character of the East-Syrian Commentary in Diyarbakir 22

 

Matthias Schulz (Vienna)

Catenae Manuscripts in the Coptic Orthodox Tradition and an Overview on Catenae in Arabic and Ethiopic

 

Yury Arzhanov (Bochum)

Collections of moral sentences of Greek philosophers in Syriac monastic anthologies

 

Ute Pietruschka (Halle)

Christian Arabic and Syriac miscellanies: Composition and arrangement of florilegia and popular philosophy (in absentia)

 

Christopher Melchert (Oxford)

Form, Function and History of the Hadith Collections as a Literary Genre 

 

Charlotte Roueché (London)

Using compilations: The state of the question

 

Hagit Amirav (Amsterdam)

The Systemization of Knowledge as a Social Phenomenon: Origins and Practice